In this episode, we get into detail about:
- How to calibrate monitors. (For color correcting you can use the Datacolor Spyder monitor calibration)
- What are some tools you use to help with getting exposure?
- How do you get “The Film Look”?
The Featured Cinematographer: Sam Nuttmann
http://www.imdb.com/name/nm3813041/
Sam Nuttmann has been shooting narrative films, documentary films, commercials, and music videos since 2008 all over the world. Freefly Systems, hired Sam as a filmmaker / product ambassador immediately following NAB 2013 when the MoVi was first introduced.
Let’s set the scene:
DIRECTOR / PRODUCER: Collin Joseph Neal
CINEMATOGRAPHER / MōVI OPERATOR / EDITOR: Sam Nuttmann
1ST ASSISTANT CAMERA: Carrie Robinson
BTS PHOTOGRAPHER: Erin Neal
DIT: Jason Vo
SOUND MIXER / BOOM OPERATOR: Rick Reynolds
WRITER: Samara Lermon
MUSICIAN / COMPOSER: Sylvie Davidson
Freefly MōVI M15 + MōVI Controller
Black Magic 4K Production Camera
Teradek Bolt 2000
SmallHD DP7
Hocus Axis 1 Remote Lens Control
Leica R Lenses
This shoot was all about shooting in low light, using mostly practicals in a small, dark pub. We added 2 – Arri 650 lights to bring up the ambient light, but that was all we could really squeeze into the room, which had low ceilings and little space to spare for any sort of additional light rigging.
Check out the video below:
Behind The Scenes:
Thank you for listening: Please let me know what you learned or thought of the show today. Subscribe to the podcast. You can ask me your questions at info@gaddisvisuals.com.
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