In this episode, we talk about
A Different World
Tech Specs: ARRI Alexa 35; Ultra Primes. chocolate filters.
Maintaining a calm set as a cinematographer.
Co...
In this episode, we talk about
Never After Dark
Sony Venice 2; Sigma FF High Speed Primes; Fujinon Cabrio 19–90mm; Laowa 24mm Pro2be; Sony FX3 for specialty rigs
...
In this episode, we talk about
Best of the Best
Tech Specs: ARRI Alexa 35; RED Komodo; MiniDV, HDV and iPhone 16 Pro; 24fps OpenGate ARRIRAW framed for 2:1 extraction
...
In this episode, we talk about
HIGH VALUE TARGET: THE HUNT FOR SADDAM
Creating two very distinct worlds: the polished, controlled world of Washington, and the war-torn, o...
In this episode, we talk about
Ren: The Girl with the Mark - Season Three
Showrunning and being a DP
Technical aspects of the show
Director of Photography: Ne...
In this episode, we talk about
Voicemails for Isabelle
Julia's approach to pre-production
Building great relationships with directors
Director of Photography:...
Capturing Light - Episode 172 with Les Gaddis
In this episode, we talk about
Why film school.
My experience at AFI
Cycle Films, Thesis Films, Visual Essays
...
In this episode, we talk about
Navigating the industry
Differences between Live Action and Stop Motion Cinematography
Tools used for Stop Motion
The importance of ani...
In this episode, we talk about
Navigating the industry
Samsung Commercials
Using Sony Venice with Tribe 7 lenses
Director of Photography: Matt Sill
https://mattsil...
In this episode, we talk about
Navigating the industry
How to get Heaven from Belfast
Some technical specs and the look of How To Get to Heaven from Belfast.
Director...